FORM AND GESTURE
Ballet
Studies in Movement and Form
2022-2024
Movement leaves traces beyond the body itself. These works explore anatomy, rhythm, and abstraction through reduced forms, gestural marks, and structural color. The focus is not dance alone, but the tension, balance, and energy embedded within movement.
PAINTING ELEMENTS
MOVEMENT • ANATOMY • COLOR STRUCTURE • GESTURAL MARKS • FIGURATIVE ABSTRACTION


Overview
The figure is not treated as a subject to be depicted, but as a material for construction.
Detail recedes in favor of mass, rhythm, and chromatic relationships, where form is rebuilt through reduction, negative space, and gestural marks.
The works move between anatomy and abstraction, resisting a fixed or complete definition of the body. Certain areas remain precisely articulated, while others are left open to color, light, and suggestion.
Approach

The figure is not treated as a subject to be depicted, but as a material for construction.
The work begins with anatomical structure, but does not remain bound to it. Forms are reduced, fragmented, and reconstructed in search of balance between mass, line, and color.
Color is not used to describe reality, but to establish visual relationships that guide the composition and generate its energy.
Process
Color is not used to describe reality, but to establish visual relationships that guide the composition and generate its energy.







