About | Victor Amle | Oslo, Norway

Hi,

I'm Victor, and I live in Norway. I'm an artist on a journey of creative exploration and innovation. I'm continuously working to breathe life into unique and captivating ideas

Transcendent Artistry

Within the realm of art and design, I am an architect of emotions, a master of color, and a storyteller through visuals. My expertise in color theory, concept development, trend analysis, and material selection allows me to craft experiences that transcend the ordinary.

A Way of Life

Art and design aren't just my professions; they are my way of life. They require a deep well of mindfulness and awareness, fueling my quest for self-expression and creative evolution. Over the years, I've honed my skills while collaborating with esteemed government institutions, pushing the boundaries of art forms.

Endless Inspiration

My art exists as a reflection of the world that surrounds me, drawing inspiration from the exhilaration of taking risks to the serenity of embarking on new adventures. These experiences infuse my work with vitality, depth, and profound meaning.

Mesopotamian Heritage

I hail from the oldest and richest civilization in the world, the cradle of human history – Mesopotamia. It's the land of golden domes, enchanting legends, the realm of One Thousand and One Nights, the birthplace of the first letter written in history, the cuneiform letter. Mesopotamia is where the first obelisk in history and the first law code in history were created, the code of Hammurabi, the land where the goddess of love and beauty, Ishtar, graced life.

From these captivating roots and charming climates, my multifaceted talent is born, characterized by bold lines and vibrant, intense colors. Steady lines and the power of dynamic brush strokes further amplify its aesthetic value.

Educational Journey

I hold a diploma in Fine Arts and a bachelor's degree from the University of Baghdad, the Ministry of Higher Education and Scientific Research, alongside general recognition from Norway. My journey extends beyond academia, encompassing invaluable experience within governmental institutions, museums, fashion, and arts management.

Skills

Drawing and Design (Primary Focus): Proficient in traditional and digital drawing techniques, with a strong emphasis on design principles.
Digital Drawing: Experienced in creating digital artworks using industry-standard software and hardware.
Adobe Creative Suite: Proficient in leveraging Adobe's creative tools, including Photoshop and Illustrator, to breathe life into creative visions.
Costume Design: Skilled in the art of costume design, with a keen eye for aesthetics, materials, and historical accuracy.
Sculpture: Proficient in sculpting, both as an art form and for practical applications, bringing three-dimensional creativity to life.
Photography: Adept at capturing visually stunning images, with a strong understanding of composition, lighting, and post-processing techniques.
Graphic Design: Experienced in creating compelling visual materials for various mediums, including print and digital platforms.

Professional Experience and Exhibitions

My artistic journey has traversed a diverse range of creative landscapes through different artistic realms, from the prestigious corridors of renowned institutions to the forefront of custom design and museology exhibition curation. Here are some of the significant milestones along my artistic path:

The Norwegian Museum of Cultural History/ Norwegian Maritime Museum - Exhibitions -The dual responsibilities - Norway.
The Kon-Tiki Museum - Exhibitions - The dual responsibilities - Norway.
Iraqi House of fashion/ senior designer - Chief craftsman - Mesopotamia.
Department of Cultural Relations - Graphic design - Mesopotamia.
Children's Culture House - Painter.
Ministry of Culture and Information - designer - painter - Mesopotamia.

The Norwegian Museum of Cultural History - Norwegian Maritime Museum. Title: Designer Dates: 2016 - 2017 Organizations: The Norwegian Museum of Cultural History (Norway). Summary: During 2016-2017, I had the privilege of working at the Norwegian Museum of Cultural History and the Norwegian Maritime Museum, esteemed institutions dedicated to preserving and celebrating Norway's rich cultural heritage on both land and sea. Description: During my tenure at these esteemed institutions, I encountered various challenges, including instances of discriminatory and aggressive behavior from my superior. Despite these adversities, I approached the circumstances with unwavering dedication and maintained a positive and resilient attitude throughout. Throughout my tenure, I not only fulfilled my dual responsibilities but also took the initiative to foster collaborations with neighboring museums, thereby amplifying the impact of our collective efforts. These experiences significantly expanded my artistic horizons and fortified my ability to thrive in multifaceted work environments. Despite the occasional obstacles, my commitment to excellence remained unwavering. My steadfast dedication to delivering exceptional quality and my capacity to excel in challenging conditions served as a testament to my deep pride in contributing to the museums' shared mission and my unyielding commitment to maintaining a distinguished professional reputation.

The Kon - Tiki Museum. Title: Designer Dates: 2014 - 2015 Organization: The Kon-Tiki Museum (Norway) Summary: In 2014, I joined The Kon-Tiki Museum in Norway as a Designer. During my tenure from 2014 to 2015, I played a pivotal role in curating internal and external exhibitions, providing guidance, designing publications, and engaging in physically demanding activities related to artifact transportation, exhibition dismantling, and maintenance. Description: My extensive artistic background and prior experience working in state departments uniquely positioned me to excel at The Kon-Tiki Museum. This background enabled me to contribute effectively across various museum departments, including exhibition management, support for museum publications, and the execution of off-site exhibitions. The work environment at the museum fostered creativity and an appreciation for art and design. It was characterized by respectful treatment and dedicated support from the management, particularly for foreign contributors like myself. Throughout my tenure, I had the privilege of closely collaborating with the museum director and working in coordination with various departments within the museum. Working with the museum team and its management left an indelibly positive mark on my spirit, inspiring me and making it an ideal work environment. In the summer of 2015, my journey led me to explore new opportunities in another museum, prompting personal reflection and growth as I continued my artistic and professional pursuits in Norway. After my departure from the position, I maintained ongoing contact with the museum's management team. I continued to actively contribute to some projects, ensuring a continued partnership and shared commitment to the museum's mission and objectives.

Iraqi House of fashion. Title: Senior Designer & Chief Craftsman. Dates: 1999 - 2007 Organization: Presidential Office - Before the American invasion of Iraq 2003. (Mesopotamia). Summary: I served as the Senior Designer and Chief Craftsman at the Iraqi House of Fashion, a specialized department affiliated with the Office of the President of Iraq. During my tenure from 1999 to 2007, I held key roles in the Design Department and Workshops Departments, where I made significant contributions to the world of fashion and costume design. Description: In my role at the Iraqi House of Fashion, I held multiple titles, including Head of the Design Department, Senior Designer, and Chief Craftsman. My work revolved around seamlessly merging my artistic vision with the realm of costume design, consistently pushing the boundaries of style and creativity. Before and after the fall of Baghdad in 2003, I played a pivotal role in crafting distinctive outfits for the office of the state president and official state events. My responsibilities extended to overseeing the entire process of fashion shows, from concept to execution. This encompassed designing attire for high-ranking officials, and state dignitaries, including designing uniforms of robes for the judges of Iraq, and the uniforms for the Unknown Soldier's Guard, among other state-related designs. These creations were directly commissioned by the presidential office. I also played a vital role in the decision-making process for fabric color choices and was responsible for creating vibrant attire for various Iraqi institutions. My experiences highlighted my versatility in managing a wide range of tasks, including fashion presentations, makeup coordination, and accessory design. Overall, my time at the Iraqi House of Fashion was marked by creativity, innovation, and a deep commitment.

Department of Cultural Relations. Title: Graphic Designer Dates: 2006 Organization: Ministry of culture - Department of Cultural Relations (Mesopotamia). Summary: I served as a Graphic Designer in the Department of Cultural Relations, where I creatively contributed to projects aimed at bridging cultures and facilitating diplomacy through visual publications. Description: As a Graphic Designer in the Department of Cultural Relations, my role revolved around using visual design to foster cultural connections and facilitate international diplomacy. I worked on various projects, including publications and magazines, where I utilized graphics to convey compelling narratives that transcended cultural boundaries. It was a monotonous experience that allowed me to merge art with diplomacy and contribute to cultural exchange and understanding.

Republic newspaper. Title: Painter Dates: 1998 Organization: Republic newspaper - Governmental (Mesopotamia). Summary: I served as a Painter at the Republic Newspaper, a prominent political publication in Iraq. My role involved utilizing my artistic talents to enrich visual storytelling, offering fresh and vibrant perspectives to enhance the portrayal of complex political narratives through art. Description: Working as a Painter at the Republic Newspaper, a distinguished hub of political discourse in Iraq, was an enlightening experience. My primary responsibility was to infuse artistic elements into the newspaper's pages, contributing unique and dynamic perspectives to enhance the presentation of intricate political narratives through visual art. This role not only expanded my artistic horizons but also solidified my commitment to using creativity as a powerful tool for impactful communication. It was a unique opportunity to bridge the worlds of art and politics, and it underscored the importance of visual storytelling in conveying complex ideas to a broader audience.

Children's Culture House. Title: Painter Dates: 1993 - 2003 Organization: Ministry of Culture & Media - Children's Culture House (Mesopotamia). Summary: I had the privilege of serving as a Graphic Artist at the esteemed Children's Culture House in Mesopotamia from 1993 to 2003. This institution was a haven where creativity and imagination thrived. My role was to infuse artistic brilliance into publications, inspire young minds, and contribute to the house's rich legacy. Description: The Children's Culture House, Mesopotamia, emerged as a cultural cornerstone, embarking on its journey in the late 1960s with "Majlati," a children's magazine, and "Al-Muzmar," a boys' newspaper that transitioned into a magazine in 1970. This institution nurtured emerging talents, shaping an iconic Iraqi identity inspired by Mesopotamia's heritage and the unique "Wasit School" of Islamic art. During its golden era, the house evolved into the Directorate General of "Dar Thaqafat Al-Atfal," rising to cultural prominence in Iraq and the Arab world. It produced an impressive multitude of works annually, with the weekly magazines "Majlati" and "Al-Muzmar" achieving circulation figures in the millions. The Children's Culture House staunchly supported artists, providing top-notch materials and financial aid, thereby distinguishing Iraqi creatives in the Arab publishing landscape. My tenure as a painter from 1993 to 2003 allowed me to make meaningful contributions to the artistic endeavors of this iconic institution. I left an enduring mark by adorning the pages and covers of its magazines with my illustrations and by contributing to various books centered around children's culture. Even after transitioning to roles within other governmental institutions and the Fashion House, my deep connection to this beloved establishment remained unbroken. I continued to collaborate with writers and storytellers, transforming their narratives into captivating books and stories that enriched the literary tapestry of Iraq and the Arab world.

Ministry of culture & media-Mesopotamia. Title: Designer - Painter Dates: 1993 - 2007 Organization: Ministry of culture & media (Mesopotamia). Summary: The Iraqi Ministry of Culture and Information, before its upheaval, stood as an invaluable and dynamic institution that encompassed a wide array of government departments. It was a hub of cultural and artistic expression, nurturing creativity in various domains. Here's my journey within its esteemed halls. Description: The Ministry of Culture and Information in pre-fall Iraq was more than just an institution; it was a thriving epicenter of creativity and cultural significance. Envision a vast establishment, housing ten essential government departments, where artistic expression knew no boundaries. It was the pulse of the nation, a realm that was not easily accessible. This ministry was the nucleus from which festivals, artistic activities, and literary wonders emanated, like sparks of inspiration. It spanned a diverse spectrum, from the enchanting world of fine arts to the rhythmic domain of dance, the harmonious melodies of music, the captivating allure of theater, and the treasure troves of museums. It was where management of arts truly came to life, and my journey began at the tender age of 15, thanks to my talent that had shone brightly in an international competition for children. Within the hallowed halls of this institution, I was not merely a participant; I was hailed as the "son" of this ministry. Surrounded by the crème de la crème of artists, technicians, writers, poets, directors, and luminaries of the art world, I had the privilege of contributing my creative designs, drawings, and ideas. These contributions played a vital role in shaping books, posters, and ambitious artistic projects that left a mark on the cultural landscape, elevating my reputation far beyond my years. In addition to my creative contributions, my commitment to the Iraqi Ministry of Culture and Information extended to active involvement in the organization of events like the International Babylon Festival, a responsibility I upheld over multiple seasons. These engagements were part of the diverse array of activities I undertook as a dedicated employee of that ministry. The Iraqi Ministry of Culture and Information played a pivotal role in molding my identity and refining my talents in the realm of fine arts. It was within these very walls that I hosted my first personal exhibition, a milestone that marked a significant juncture in my artistic career. It provided me with a platform to put these talents to the test in the real world, across various media channels such as television, theater, literature, magazines, and journalism. This ministry housed a multitude of significant artistic institutions, each bearing responsibility for various cultural and artistic entities spread across the country. Notably, these included the Iraqi News Agency, the Engineering Projects Department, Dar Al-Ma'mun for Translation and Publishing, the Children's Culture House, and the Department of Musical Arts, among others. Each of these departments held sway over a diverse range of institutions, institutes, theaters, museums, art centers, libraries, and publishing houses throughout the country. In the crucible of this ministry, I was forged into an artist of unparalleled depth and breadth. It was here that I learned the true meaning of artistic expression, and it was from here that I emerged, ready to conquer the world with my boundless imagination and passion for the arts. I was in permanent employment with the ministry even after working in external government artistic departments. Following the collapse of Iraq, this ministry met a grim fate, as it was systematically dismantled and its significant artistic divisions disbanded. The entire building was tragically demolished. Many of the nation's most prominent artistic and cultural luminaries suffered dire consequences, with some losing their lives and others forced into exile abroad, leaving behind a void in the nation's artistic heritage.

VICTOR AMLE

ART - DESIGN

Artistic activity in the field of visual art.

Oslo - Norway l Org nr : 998582695

www.victoramle.com

© Victor Amlé 2024