Summary: The Iraqi Ministry of Culture and Information, before its upheaval, stood as an invaluable and dynamic institution that encompassed a wide array of government departments. It was a hub of cultural and artistic expression, nurturing creativity in various domains. Here's my journey within its esteemed halls. Description: The Ministry of Culture and Information in pre-fall Iraq was more than just an institution; it was a thriving epicenter of creativity and cultural significance. Envision a vast establishment, housing ten essential government departments, where artistic expression knew no boundaries. It was the pulse of the nation, a realm that was not easily accessible. This ministry was the nucleus from which festivals, artistic activities, and literary wonders emanated, like sparks of inspiration. It spanned a diverse spectrum, from the enchanting world of fine arts to the rhythmic domain of dance, the harmonious melodies of music, the captivating allure of theater, and the treasure troves of museums. It was where management of arts truly came to life, and my journey began at the tender age of 15, thanks to my talent that had shone brightly in an international competition for children. Within the hallowed halls of this institution, I was not merely a participant; I was hailed as the "son" of this ministry. Surrounded by the crème de la crème of artists, technicians, writers, poets, directors, and luminaries of the art world, I had the privilege of contributing my creative designs, drawings, and ideas. These contributions played a vital role in shaping books, posters, and ambitious artistic projects that left a mark on the cultural landscape, elevating my reputation far beyond my years. In addition to my creative contributions, my commitment to the Iraqi Ministry of Culture and Information extended to active involvement in the organization of events like the International Babylon Festival, a responsibility I upheld over multiple seasons. These engagements were part of the diverse array of activities I undertook as a dedicated employee of that ministry. The Iraqi Ministry of Culture and Information played a pivotal role in molding my identity and refining my talents in the realm of fine arts. It was within these very walls that I hosted my first personal exhibition, a milestone that marked a significant juncture in my artistic career. It provided me with a platform to put these talents to the test in the real world, across various media channels such as television, theater, literature, magazines, and journalism. This ministry housed a multitude of significant artistic institutions, each bearing responsibility for various cultural and artistic entities spread across the country. Notably, these included the Iraqi News Agency, the Engineering Projects Department, Dar Al-Ma'mun for Translation and Publishing, the Children's Culture House, and the Department of Musical Arts, among others. Each of these departments held sway over a diverse range of institutions, institutes, theaters, museums, art centers, libraries, and publishing houses throughout the country. In the crucible of this ministry, I was forged into an artist of unparalleled depth and breadth. It was here that I learned the true meaning of artistic expression, and it was from here that I emerged, ready to conquer the world with my boundless imagination and passion for the arts. I was in permanent employment with the ministry even after working in external government artistic departments. Following the collapse of Iraq, this ministry met a grim fate, as it was systematically dismantled and its significant artistic divisions disbanded. The entire building was tragically demolished. Many of the nation's most prominent artistic and cultural luminaries suffered dire consequences, with some losing their lives and others forced into exile abroad, leaving behind a void in the nation's artistic heritage.